Tuesday, May 8, 2012

Greatness Assembled

This happened. And it worked. 

Clif's review of The Avengers

A Triple Dragon Punch Presentation


It was a risky venture.  Five separate but interconnected films about four different superheroes-some totally unproven at the movies-culminating in a real life Avengers Initiative under the direction of a geek genius with the worst luck in Hollywood.  Nothing like this had ever been done. What if one or more of the solo films had tanked? What if all of this "Marvel Cinematic Universe" was lost on John Q. Moviegoer and his wife Betty? What if the writer/director's past bad luck struck again (more on this later)?

I can now say after seeing it four times in four days, for me all of these concerns have been put to rest. The Avengers delivers on every level. 

The set up is simple: Loki, the brother of Thor,  comes to Earth to find the Tesseract-an unlimited energy source-for a mysterious being from another world in exchange for the Earth itself. Nick Fury recognizes this is a very specialized threat that normal people can't handle. He assembles a response team made up of Captain America, Iron Man, Thor, Hulk, and rounded out by two of his own SHIELD agents, Hawkeye and Black Widow to stop Loki and save the world if they can learn to work as a team. Where The Avengers really shines isn't so much in the overall story, but in watching these characters come together, interact, grow, learn to work together, and become the team we all know and love.  Of course they get into plenty of fights-both with their enemies or each other-which lend themselves to some awesome action scenes, but we'll come back to that. 

All of the main cast's performances are outstanding. Robert Downey Jr lights it up as Tony Stark again and I feel it's his strongest performance as Stark yet. He's witty, he's hilarious, he's sarcastic, and he is the PERFECT foil for Chris Evans' Captain America. Steve Rogers is a man outside of his own time. He's seeing all of this stuff for the first time just like we are. He's our window in. Evans plays Rogers straight laced and firm, but understanding. He's a born leader for this team despite the fact that he's 70 years behind everyone else. Evans nails what Christopher Reeve got about Superman, in that he's a stand up guy wants to do the right thing all the time, but he doesn't come off hokey. Chris Hemsworth's Thor is just as awesome as he was in his solo movie. His story in this is the one I find the most interesting, being that the villain of the film his his brother. Even after all Loki has done, Thor is not willing to write him off just yet. Joss Whedon's talent for writing strong female roles serves Scarlett Johansson's Black Widow very well. She's given a surprising amount of important things to do, and it's great to see a woman who has more on her plate than being saved by or swooning over the heroes. Samuel L Jackson's awesome as Nick Fury, and it's great to see him a lot more this time around. He's given a few "Sam Jackson" moments that are super fun to watch. Clark Gregg's Agent Phil Coulson is given an interesting twist concerning Captain America which is fun to watch. Only Jeremy Renner's Hawkeye feels underserved here in my opinion. He's just not given a whole ton to do, although Renner makes a pretty convincing Clint Barton. Longtime Whedon fans will recognize a hints of a certain brown coat-wearing Captain in Renner's dialog.....

Of the four main Avengers, my least favorite character is Hulk. However, Hulk gets his own paragraph in this review, because Hulk kind of steals the show. Every moment he's on screen is super entertaining. This is easily the best version of Hulk on screen to date. A lot of what makes Hulk work is Mark Ruffalo's portrayal of Bruce Banner. He gives Banner sort of a sad, out of place, stand offish quality that really helps sell how careful Banner has to be to keep the Hulk at bay. And when he reveals "his secret"....oh man.

Tom Hiddleston plays Loki as Marvel's Hannibal Lecter to great success. He's charming one second then he flips the switch and becomes monsterous the next. He's arrogant, he's sarcastic, he's menacing, and he's smiling almost the whole time. I really enjoyed him more than I did in Thor, and he was already good there.

None of this would have come together nearly as well as it does without one man: Joss Whedon. Let's think about this for a second: A string of successful filmmakers have come through and all made solid solo movies based on these characters. Some of these guys are multiple award winning, highly respected, successful blockbuster directors,  and a guy who's had every show he's ever put on TV cancelled, who's only theatrical directorial effort was a flop, and who hasn't been able to catch a real break for years has delivered a better film than all of them, and the reason is really simple: He's passionate about the material. Whedon gets it. He's written comics. He understands these characters. He understands ensemble casts. He writes clever dialog. Some of the best moments in this film are just characters talking. Stark and Banner in the lab having a "did we just become best friends?!" moment was priceless. Steve Rogers' reaction to meeting Bruce Banner for the first time: a simple statement about how he feels about Banner's other half was the best embodiment of Steve Rogers and a character I could have imagined. Tony Stark dropping pop culture references to describe the other characters was super clever. We get to see these characters come together and feel each other out. We see them disagree, we see them bond, we see the team form. It makes the last act of the movie, the final battle so much more satisfying.

And what a battle it is. The last third of The Avengers was the coolest action spectacle I have ever seen. This battle is the first time we see The Avengers fully assembled, and it's like a dream come true. Seeing these characters battling this threat together and working as a team was absolutely exhilarating. The action was well choreographed as well, none of this hard to follow "shaky cam" nonsense so many people seem to like today. No, we get big, sweeping, splashy shots of action that-well, feels like a comic book. Fancy that. It's made that much more rewarding because of how well we know these characters by this point. Every character is given their own role in the battle and their own moments to shine. There is a long, continuous shot during that battle that shows every character in their element, playing off of each other that almost made me leave my seat with excitement.

When you think about it, The Avengers itself is kind of like a parallel to it's own making. By the end of the movie you know that Nick Fury's crazy gamble has paid off, and so did Marvel's. Joss Whedon has successfully assembled The Avengers and the world is better for it.

-Clif




Sunday, April 22, 2012

TDP Top Five: Knock That Shit Off, Superhero Movies!!

Welcome to The Triple Dragon Punch Top Five, in which we explore the five best (or worst) examples of a given subject. In light of then impending release of Marvel's upcoming AVENGERS movie, I thought I'd kick this feature off by listing things superhero movies tend to screw up. Bear in mind, I don't think The Avengers will make any of these mistakes-Writer/Director Joss Whedon respects the source material too much to fall into these traps. Or so I hope. So without further ado, here's the list:

5. Arbitrary Costume Changes

Main Offenders:  Batman Forever, Batman and Robin

You're gonna be seeing a lot of those two movies on here, because they screwed a lot of stuff up. Superheroes are iconic for many reasons, one of the most obvious being the costume. Sometimes those costumes get changed up from time to time in the transition to film. Sometimes its necessary. No one wants to see Hugh Jackman as Wolverine in yellow spandex except the people who are there to see "Hugh Jackman", not "Wolverine". Other times, it's done for other, more nefarious reasons, chiefly among them, to sell more toys. Hollywood has been better about doing this in recent years, but it wasn't that long ago that Batman, Robin and Batgirl decided out of nowhere to go chrome. Batman Forever at least had the idea to throw in a line about "all of the Batsuits have been destroyed-except the new sonar prototype" to explain it. 



4: Stunt Casting

Main Offenders: Green Lantern, Daredevil

Ryan Reynolds is dreamy. That is why he played Green Lantern. No other reason. Certainly not because he made an awesome Hal Jordan. If they were looking for that, they wouldn't have gone with a guy who still acts like he's hanging out with some dude and chick no one ever heard from again at a pizza place. Don't get me wrong, I like Ryan Reynolds. Maybe one day he'll make a fine Deadpool in a real Deadpool movie, not that crap they pulled in Wolverine. But he's not Hal Jordan. We saw the same thing in Daredevil. Ben Affleck is not Matt Murdock, he's a face on a tabloid celebrity gossip magazine. I understand there's a business to making movies and that you need a name to sell tickets, but I'll have you remember that there was a time when no one on earth thought Michael Keaton would be able to pull off Batman, and that Christopher Reeve was a nobody before be put on Superman's tights. Which reminds me of my next point....



3: Making Up New Powers Just Because

Main Offenders: Catwoman, Superman II

Last time I checked, Superman could not throw the "S" on his chest like a giant saran wrap frisbee, kiss Lois Lane's memory away, or lose his powers just because "why not?". Also, Catwoman doesn't have cat-powers because that's dumb. Yet both of those things happened in movies that actually came out. Why? This I have absolutely no explanation for other than some filmmaker decided he needed to find a reason to make the character do something new. Because you know, millions of fans of what makes that character cool in the first place need that one extra new thing to be impressed by. 



2: Just Plain Dumbness

Main Offenders: X-men 3, Fantastic Four 

In a town where you can't walk five feet without tripping over a blonde haired, blue eyed girl handing out head shots and banging on casting directors' doors, the makers of Fantastic Four managed to cast the only brunette in town as Sue Storm. Every single superhero movie since Superman up until Batman Begins killed off the hero's arch nemesis (and every other villain introduced) at the end of every movie. Wolverine could hear a whisper through a concrete wall while in a water filled, plexiglass box but couldn't hear a gun cock 20 feet behind him. Superman had a kid. Batman had bat-credit card. Elektra got made. The Punisher tickled a guy with a popsicle. Robin was taller than Batman. Daredevil and Elektra had a dance fight on a playground in street clothes. The Ang Lee Hulk movie happened. Peter Parker had an emo haircut and did a dance number. He also cried a lot. Knock all of that shit off. Your audience is smarter than you think.

1. STOP HAVING UNNECESSARY LOVE INTEREST AND LETTING HER IN ON THE SECRET. 

Main Offenders: EVERY SUPER HERO MOVIE EVER. 


First of all: Stop having unnecessary love interests. Thor has more important things to do than worry about whether or not Natalie Portman is acting like 12 year old at a Justin Bieber show. Captain America has to fight the damn Nazis, so Hayley Atwell can wait a damn minute. The only believable romantic plot in any superhero movie ever is Tony Stark and Pepper Potts. Don't give me that Lois Lane and Superman crap, either. He's got better things to do. Iron Man's pretty busy, but Tony Stark has to make time for the ladies. You also can't convince me that Peter and Mary Jane is believable, because like Lois Lane, MJ is more trouble than she's worth, and has the added misfortune of being played by Kirsten Dunst. But because some women get dragged kicking and screaming to these things, there has to be something that the studios think they want to see. I'd like to see a rule instituted where every time I have to see Spider-Man stop what he's doing to save Mary Jane, a romantic comedy out there somewhere get's a car chase or ninja fight inserted. Having the hero reveal his secret identity to the love interest is dumb. The whole point of the secret identity is probably to keep her safe anyway, or at least prevent him from having to constantly save her. At the rate the Batman movies were going for a while, every woman in Gotham City was gonna know who Batman was, so if any villain wanted that information, all he'd have to do is take a wine and painting class hostage. The best thing that ever happened to the romantic subplot in a superhero movie was when Maggie Gyllenhaal got blown up in The Dark Knight, and that's just because I know I will not have to suffer through that in The Dark Knight Rises. 



I should note that a lot of these things stopped happening post-Batman Begins and Iron Man. Superhero movies have come a long way. The things Marvel Studios have been doing and the Chris Nolan Batman stuff are all excellent, and the new rebooted Spider-Man looks really good too. Hopefully these things never come back to the movies again. I don't want all of these to sound like angry internet bitchfests, so I'll make sure that the next one is about something awesome. Two more weeks til Avengers!